itsa2amgrunge
sanjana singh // Just another humain(e) with ideas
The ‘Psi-Phenomenon’ of Psychic Energy- From Hans Berger to Carl Gustav Jung
Psychic Energy, according to Carl Gustav Jung, can be expressed as a form which performs psychological work either by actual or potential forces. The distinction between psychological and physical activities can be understood through these examples- psychological activities include perception, memory, sensory inputs and outputs, thinking, etc., while physical activities include the process of […]
MoreLacanian Nucleus of Repression & The Élaboration of the ‘Prägung’
Jacques Lacan, in his seminal work of The Nucleus of Repression, discusses the moment in the élaboration which is always present in an enigmatic way in analysis i.e., wherein the positive effect of interpretation in the transference episode is truly possible. Once this imaginary element becomes “non-integrated”, then the “suppressed, repressed” image arises followed by […]
MoreReminiscences of Oneiros – II
A. Oneroi Fæder ~ Villa Valmiki, Ballua psyche awakens in an accustom abode (fæder), “Awaken, awaken! village of Valmiki, Ballua calls Ahmiyat– mou spiti demands aid” befuddled, the self rouses in realis- astounded- perceive the face of the fæder beaming. B. Oneroi Innana & Dumuzid ~ Mangal Missus Dumuzi caresses Innana in venerus, thereupon, […]
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The Sole Principle towards The Art of True Sentience
The first and only principle, the Principle of Elimination of Assumptions, is the basic principle to the art of true sentience which further allows the true nature of investigations of the things within the compounds of any spatial reality that runs with time. Now, this is a hard one to stick to, because, ‘we’re born […]
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Vision 2.0
It’s the need for the ego to interact with the external reality, is when an individual feels the urge to put on a mask. Embracing the existential emptiness, the existential void– is the real meditation and acceptance of the nature of absolute reality, whilst the fear of the emptiness itself is the cue for […]
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